Photographies de Paris Match | Photographs | from 23.04.20 to 03.05.20

Benjamin AUGER (1942-2002)
Jean-Paul Belmondo
Printed later on fiber-based paper
Edition 1/1
53 x 80 cm.
Black wooden frame, and mat.
Jean-Paul Belmondo and Feydeau finally meet on October 11, 1996. In the dressing room at the theater he has owned for the past five years, the Théâtre des Variétés, Belmondo delights in the success of his performance in Feydeau’s La Puce à l’oreille that had originally premiered on this same stage 90 years earlier.

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008

Benoit GYSEMBERGH (1954-2013)
Michel Serrault
Printed later on fiber-based paper
Edition 1/1
53 x 80 cm
Black wooden frame, and mat.
Michel Serrault was no longer considered a simple comedian. His career had taken a new turn, and he was getting more serious, even worrisome roles. But his hilarious nature still emerged. He is seen here on the Roman set of Dino Risi’s burlesque The Good King Dagobert on January 26, 1984.

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009

Christian GIBEY (1936-2012)
Claude Lelouch, Jacques Brel & Lino Ventura
Printed later on fiber-based paper
Edition 1/1
53 x 80 cm
Black wooden frame, and mat.
The camaraderie of Claude Lelouch, Jacques Brel and Lino Ventura would contribute to the success of Lelouch’s Money, Money, Money in 1972. The role played by Brel was initially intended for Jean-Louis Trintignant who refused the part. Lino, however, accepted without hesitation. For over ten years, he had been dreaming of working with Lelouch.

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010

François PAGES (1929-1995)
Claude Lelouch, Jean-Louis Trintignant, Pierre Barouh & Anouk Aimée
60 x 60 cm. Printed later on fiber-based paper.
Black wooden frame, and mat.
Edition 1/1
A triumphant Claude Lelouch, director of A Man and a Woman, is carried on the shoulders of his actors, Jean-Louis Trintignant, Pierre Barouh and Anouk Aimée: his film had just received the Palme d’or at the 19th Cannes Film Festival, May 20, 1966.

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011

François PAGÈS (1929-1995)
Sophia Loren
Printed later on fiber-based paper
Edition 1/1
80 x 63 cm
Black wooden frame, and mat.
Sophia Loren’s penetrating doe eyes and sensual pout captivated America in 1960. The 26 year old Italian actress from Naples was currently starring alongside Jean-Paul Belmondo in Vittorio de Sica’s Two Women. That performance would later be honored with Best Actress Awards at both the Oscars and the Cannes Film Festival.

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012

Gérard GÉRY (1925-2013)
Brigitte Bardot & Jeanne Moreau
Printed later on fiber-based paper
Edition 1/1
53 x 80 cm
Floater frame
February, 1965. Brigitte Bardot and Jeanne Moreau are simultaneously on location for the filming of Viva Maria! The two cowgirls had just asked the photographer for a souvenir photo. Director Louis Malle took a gamble bringing together two of France’s most popular stars and rivals on the same movie set. Watch out.

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013

Gérard GERY (1925-2013)
Jeanne Moreau
Printed later on fiber-based paper
Edition 1/1
80 x 53 cm
Black wooden frame, and mat.
Acting in a movie that combines burlesque and adventure is not only a big change, but also quite amusing for Jeanne Moreau: she is thrilled to be in Mexico in February, 1965, where she is starring in Louis Malle’s Viva Maria! And contrary to all predictions, getting along marvelously with her co-star, Brigitte Bardot.

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014

Jack GAROFALO (1923-2004)
Jean-Luc Godard & Anna Karina
Printed later on fiber-based paper
Edition 1/1
53 x 80 cm
Black wooden frame, and mat.
Jean-Luc Godard and Anna Karina, the emblematic New Wave couple, photographed in their home, place Saint-Michel, in Paris, February, 1963. The first film they shot together, The Little Soldier, had just been released after a two and a half year ban.

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015

Jack GAROFALO (1923-2004)
Jeanne Moreau
Printed later on fiber-based paper
Edition 1/1
60 x 60 cm
Black wooden frame, and mat.
For Paris Match, March 23, 1962, in Paris, Jeanne Moreau wears one of 21 costumes designed by Pierre Cardin for her performance in Mata Hari, Agent H21. Shooting was about to begin under the direction of her ex-husband, Jean-Louis Richard. But with delays and setbacks, the film would not actually be completed until 1964 thanks to François Truffaut.

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016

Jack GAROFALO (1923-2004)
Sharon Tate & Roman Polanski
Printed later on fiber-based paper
Edition 1/1
52 x 78 cm
Black wooden frame, 5 cm mat.
21st Cannes Film Festival : in their hotel room, Sharon Tate cuts the hair of her husband, Roman Polanski (jury member). May, 1968.

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017

Jack GAROFALO (1923-2004)
Simone Signoret & Yves Montand
Printed later on fiber-based paper
Edition 1/1
52 x 78 cm
Black wooden frame, 5 cm mat.
Returning from work on a film in Rome, Simone Signoret reunites with Yves Montand. July 7, 1960.

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018

Jack GAROFALO (1924-2005)
Monica Vitti
Printed later on fiber-based paper
Edition 1/1
80 x 53 cm
Black wooden frame, and mat.
Monica Vitti symbolized an entire period in Italian cinema, one that transformed an inability to communicate into poetry. In May, 1968, Vitti was part of the Cannes Film Festival jury. Like Roman Polanski and Louis Malle, she too would resign in solidarity with Festival protesters. Indeed, the Festival would shut down the following day.

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019

Jack GAROFALO (1924-2005)
Yul Brynner
Printed later on fiber-based paper
Edition 1/1
55 x 80 cm
Black wooden frame, and mat.
At 37, Yul Brynner was the most prosperous baldy in the business. Ever since his triumph in The King and I, for which he would soon be awarded an Oscar, the Russian-born American’s shaved his head daily out of superstition. But in Paris, where he is seen celebrating the 1957 New Year, he felt right at home. Having spent part of his childhood in the city of lights, he spoke perfect French, as if he needed that to stir up excitement in music stores…

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020

Jean-Claude SAUER (1935-2013)
Alain & Nathalie Delon
Printed later on fiber-based paper
Edition 1/1
53 x 80 cm
Black wooden frame, and mat.
Jean-Pierre Melville directed nearly all of his movies in the private studio he owned on the rue Jenner in Paris’s 13th arrondissement. But when a fire destroyed it in July, 1967, during the filming of Samouraï, he was forced to move to the Saint-Maurice studios where he directs this love-scene between Alain Delon and his young wife, Nathalie.

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021

Jean-Claude SAUER (1935-2013)
Anna Karina & Jean-Luc Godard
Printed later on fiber-based paper.
Edition 1/1
53 x 80 cm
Black wooden frame, and mat.
In Geneva, March 3, 1961, Anna Karina becomes Mrs. Godard. Two years earlier, she had refused to appear in Jean-Luc’s first feature film, Breathless that would have required she appear nude. But she later acted in Le Petit Soldat and in all they would make eight films together.

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022

Jean-Claude SAUER (1935-2013)
Jane Fonda
Printed later on fiber-based paper
Edition 1/1
60 x 40 cm
Black wooden frame, and mat.
Outfitted by Paco Rabanne, she became a sex bomb. In June, 1967, Jane Fonda was the lead in her husband Roger Vadim’s Barbarella, inspired by Jean-Claude Forest’s comic strip. A very expensive film, it was shot at « Dinocittà », the immense studios built in Rome by producer Dino De Laurentiis.

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023

Jean-Claude SAUER (1935-2013)
Marisa Berenson
Printed later on fiber-based paper
Edition 1/1
53 x 80 cm
Black wooden frame, and mat.
Paris, November, 1971. Fake pearls, a hat by Tan Giudicelli, a stuffed toucan… Marisa Berenson brought the latest jet-set fashion trend to Paris: kitsch! The American cover girl had just launched her acting career with a role in Lucino Visconti’s Death in Venice.

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024

Jean-Pierre BIOT (1935-2008)
Dennis Hopper, Peter Fonda & Jack Nicholson
Printed later on fiber-based paper
Edition 1/1
53 x 80 cm
Black wooden frame, and mat.
French psychedelic cancan dancing, California style. On the Croisette in Cannes, May 12, 1969, during the city’s 22nd annual Film Festival, the winning trio of Easy Rider (Dennis Hopper, Peter Fonda and Jack Nicholson) take a kick with two young French groupies. This melancholic road movie, a banner for the hippy protest movement, would be awarded Best First Movie.

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025

Jean-Pierre BIOT(1935-2008)
Jane Birkin
Printed later on fiber-based paper
Edition 1/1
40 x 60 cm
Black wooden frame, and mat.
At the Cannes Film Festival, 1969, Jane Birkin is not just any starlet: Je t’aime moi non plus, the song she recorded with Serge Gainsbourg, her lover and partner from Slogan, had made her instantly famous.

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026

Patrick JARNOUX (1946-2014)
Lino Ventura & Jacques Deray
53 x 80 cm. Printed later on fiber-based paper.
Black wooden frame, and mat.
Edition 1/1
During the summer of 1977 in Barcelona, Lino Ventura enjoys a meal with director, Jacques Deray in between takes of Un papillon sur l’épaule. The actor generally preferred heavier fare during filming: he had the reputation of being a great chef thanks to the delicious spaghetti meals he frequently prepared for the crew.

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027

Paul SLADE (1924-1979)
Elizabeth Taylor & Eddie Fisher
Printed later on fiber-based paper
Edition 1/1
80 x 53 cm
Black wooden frame, and mat.
Seated in the front row of a crowd of 30,000 spectators at the Polo Grounds of New York, beside her husband Eddie Fisher, Elizabeth Taylor is intensely engaged in the fight between Swedish boxer and World Heavyweight Champion Ingemar Johansson and American Floyd Patterson on June 20, 1960. A former Heavyweight Champion himself, it would take only five rounds for Patterson to knock out his opponent and regain the title.

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028

Paul SLADE (1924-1979)
Marlene Dietrich
Printed later on fiber-based paper
Edition 1/1
80 x 53 cm
Black wooden frame, and mat.
Universal Studios, Hollywood, February, 1961, Marlene Dietrich sings for the technicians and the extras on the set of Stanley Kramer’s Judgment at Nuremberg, whose exterior shots were done on location in Germany. The atmosphere reminded her of World War II when she performed for American soldiers to boost morale.

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029

Paul SLADE (1924-1979)
Marlene Dietrich
Printed later on fiber-based paper
Edition 1/1
80 x 53 cm
Black wooden frame, and mat.
Marlene Dietrich during the filming of Judgment at Nuremberg, in Hollywood. The actress, who had refused all film offers since Orson Welles’ Touch of Evil, in 1957, accepted this role through hatred of the Nazis, for her the incarnation of absolute evil.

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030

Philippe LE TELLIER (1930-2011)
Catherine Deneuve & Françoise Dorléac
Printed later on fiber-based paper
Edition 1/1
53 x 80 cm
Black wooden frame, and mat.
June, 1966: here are the Young Girls of Rochefort, the unforgettable stars of Jacques Demy’s “singing” movie. Although they weren’t the Gemini twins they played on screen, it was difficult for Catherine Deneuve (Libra) and Françoise Dorléac (Aries) to hide their family resemblance, even under their wigs.

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031

Philippe LE TELLIER (1930-2011)
François Truffaut
Printed later on fiber-based paper
Edition 1/1
60 x 40 cm
Black wooden frame, and mat.
François Truffaut in September, 1966, at the Venice Mostra to present Fahrenheit 451, a movie about the destruction of books. Seated on a pile of leaves, he reads a comedy collection by humorist Cami, Nights at the Tour de Nesle and Other Tales.

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032

Philippe LE TELLIER (1930-2011)
Jean-Luc Godard & Chantal Goya
Printed later on fiber-based paper
Edition 1/1
53 x 80 cm
Black wooden frame, and mat.
A new way to make movies: not in a studio, but inside an authentic bistro in Vincennes where, on November 23, 1965, Jean-Luc Godard directs Chantal Goya in a scene from Masculin Feminin.

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033

Philippe LE TELLIER (1930-2011)
Jerry Lewis
Printed later on fiber-based paper
Edition 1/1
60 x 60 cm
Black wooden frame, and mat.
Sitting on his suitcases in his Hotel Ritz suite on April 18, 1965, Jerry Lewis is in Paris to film John Rich’s Boeing Boeing alongside Tony Curtis, Dany Saval and Suzanna Leigh. Filming would begin in a few hours, Place de l’Étoile.

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034

Philippe LE TELLIER (1930-2011)
Joanne Woodward & Paul Newman
Printed later on fiber-based paper
Edition 1/1
53 x 80 cm
Black wooden frame, and mat.
It was on the set of Martin Ritt’s The Long Hot Summer that they fell in love. Two years later, in December 1960, they worked on another movie by Ritt, Paris Blues, in the Boulogne Studios. The love story between Joanne Woodward and Paul Newman would endure for half a century, until the actor’s death in 2008.

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035

Philippe LE TELLIER (1930-2011)
John Ford
Printed later on fiber-based paper
Edition 1/1
63 x 63 cm
Floater frame
Paris, a portrait of director John Ford for the release of his movie The Quiet Man. January 5, 1952.

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036

Philippe LE TELLIER (1930-2011)
Liv Ullmann
Printed later on fiber-based paper
Edition 1/1
80 x 53 cm
Floater frame
Ever since Greta Garbo and Ingrid Bergman, very few actresses have been as intriguing. But Norwegian actress Liv Ullmann has, so far, resisted the immutable calls of Hollywood. She presented Shame in Paris in April, 1969. It was her third film under the direction of her partner, Swedish director Ingmar Bergman.

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037

Philippe LE TELLIER (1930-2011)
Sharon Tate
Printed later on fiber-based paper
Edition 1/1
53 x 80 cm
Black wooden frame, and mat.
Dordogne, September, 1965: Posing on the railing of the Hautefort castle with her doe’s eyes and goddess’s body, she evokes a mysterious heroine from a modern fairy tale. Sharon Tate would not remain a simple starlet. She would hold be the female lead in her next film, Dance of the Vampires, whose director, Roman Polanski, she later married.

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038

Philippe LE TELLIER (1930-2011)
Sharon Tate
Printed later on fiber-based paper
Edition 1/1
80 x 53 cm
Black wooden frame, and mat.
Sharon Tate had enjoyed only minor roles in a few television series, and it was once again a minor role she held in J. Lee Thompson’s Eye of the Devil, a British production filmed in 1965 at the Hautefort castle in Dordogne. But it was she who captured the Match photographer’s attention…

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039

Philippe LE TELLIER(1930-2011)
Catherine Deneuve & Norman Maen
Printed later on fiber-based paper
Edition 1/1
80 x 53 cm
Black wooden frame, and mat.
Final adjustments before the dancing scene in The Young Girls of Rochefort, on June 13, 1966. Choreographer Norman Maen has Catherine Deneuve rehearse a step.

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040

René VITAL (1924-1993)
Clark Gable
Printed later on fiber-based paper
Edition 1/1
60 x 60 cm
Black wooden frame, and mat.
May, 1952. (The “King”) Clark Gable, “The King,” was the essence of masculine sex appeal. The American actor’s popularity remained immense two years after the delayed French release of Gone With the Wind, a release that had been pushed back by the war and the occupation of Paris. Gable’s arrival in France that year was such an event that Paris Match, unable to wait for him to arrive in the capital city, traveled to le Havre to photograph him on the cruise ship Liberty, before he had even come ashore.

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Photographies de Paris Match - from 23.04.20 to 03.05.20

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